In 1999, the Reverend Jerry Falwell outed Tinky-Winky, the purple character from TV’s Teletubbies. 事件 such as this reinforced in many quarters the common idea that evangelicals are reactionary, out of touch, and just plain paranoid. But reducing evangelicals to such caricatures does not help us understand their true spiritual and political agendas and the means they use to advance them. Shaking the World for Jesus moves beyond sensationalism to consider how the evangelical movement has effectively targeted Americans—as both converts and consumers—since the 1970s.
500 Internal Server Error- 澳门银河网游|手机版下载
Internal Server Error
The server encountered an internal error and was unable to complete your request. Either the server is overloaded or there is an error in the application.
To garner a wider audience, Hendershot argues, evangelicals have had to carefully temper their message. But in so doing, they have painted themselves into a corner. In the postwar years, evangelical media wore the message of salvation on its sleeve, but as the evangelical 媒体 行业 has grown, many of its most popular products have been those with heavily diluted Christian messages. In the eyes of many followers, the evangelicals who purvey such products are sellouts—hucksters more interested in making money than spreading the word of God.
For sale at University of Chicago Press.
Heather Hendershot studies conservative media and political movements, film and television genres, and American film history. She has held fellowships at Vassar College, New York University, and Princeton University, and she has also been a Guggenheim fellow.
Hendershot is particularly interested in the complicated relationship between “extremist” and “mainstream” conservatism and in how that relationship is negotiated by conservative 媒体. Her courses emphasize the interplay between industrial, economic, and regulatory concerns and how those concerns affect what we see on the screen (big or little). Students are encouraged to consider the ways that TV and film writers, directors, and producers have attempted creativity and innovation while working within an 行业 that demands novelty but also often fears new approaches to character and narrative.
Hendershot is the editor of Nickelodeon Nation (2004) and the author of Saturday Morning Censors （1998）， Shaking the World for Jesus （2004），和 What's Fair on the Air? (2011). For five years she was the editor of 电影杂志, the official publication of the Society for Cinema and Media Studies. During the 2014–2015 academic year, she was a fellow at the Radcliffe Institute for Advanced Study at Harvard University where she wrote Open to Debate: How William F. Buckley Put Liberal America on the Firing Line (2016). She is currently working on two research projects, one on Georgia Governor Lester Maddox and another on 媒体 coverage of the Chicago 1968 Democratic National Convention.