马克o'maley

Image of 马克o'maley
在灯光和舞蹈生产技术指导

在照明设计,景观设计,策展和装置艺术工作时 - - 谁穿他的心脏在他的袖子和他手臂上的天空空间,身体和思想的始作俑者标志o'maley是佛蒙特州的艺术家谁拥有迷恋人们如何使用自己居住空间。他点大多跳舞。

 
o'maley最近的工作包括的照明设计 50首歌曲回忆录 对于首演在马萨诸塞州当代艺术和音乐的下一波艺术节(与国际旅游)的布鲁克林学院的磁场; 男子在雪地 在格洛斯特阶段的公司(irne最佳灯光设计提名) 三人一 与伊冯娜·莱纳, 连续关系 凯尔亚伯拉罕, 独奏九个部分 对于杰西卡·兰格, 城市雨水 对卡米尔一个。棕色, 美丽的谎言人 与伦尼·哈里斯基层项目, SP3 同 & FringeArts in Philadelphia.  
 
O'Maley's New York City credits include off-Broadway at LaMaMa E.T.C. & The Pearl Theatre Company, as well as designs at P.S. 122, 舞蹈 Theater Workshop, Ohio Theater/Ice Factory Festival, The Joyce Theater, Flea Theater, The Apollo Theater, & HERE Arts Center. 
 
Over a thirteen year span in Philadelphia Mark designed a wide range of projects with and for venues & artists including Reactionaries (for which he was co-director 同 Bethany Formica), Chris Aiken, New Paradise Laboratories, Emmanuelle Delpech, Danny Hoch, National Constitution Center, Headlong Dance Theater, The Union League of Philadelphia, Pig Iron Theater Company, Prince 音乐 Theater, Rennie Harris Puremovement, Lenape Regional Performing Arts Center, Megan Mazarick, Delaware Theatre Company, Walnut Street Theatre, Nichole Canuso Dance Company, Andrew Harwood, Contemporary Stage Company, PIMA Group, Brat Productions, The Bald Mermaids, KJ Holmes, Group Motion Multi-Media Dance Theater, The Grand Opera House, Jessica Warchal-King, Peter Bingham, Amtrak's 30th Street Station, Moxie 舞蹈 Collective, Thalia Field, Jamie Jewett/Lost Wax, The Wilma Theater (danceBOOM!), & The Painted Bride.
 
National and International credits include Toronto’s Luminato Festival, CAP/UCLA, Denver Center for the Performing Arts, Andy Warhol Museum, The Melbourne Festival, The Lincoln Theater/9:30 Club (Washington, DC), Michelle Ellsworth, DancePlace (Washington, DC), Fusebox Festival (Austin, TX), Camille A. Brown, American Repertory Theater, Northlight Theatre, The Orchard Project, River North Chicago Dance Company, Carolina Theater (Durham), Chien-Ying Wang, Flynn Center for the Performing Arts, Joe Goode, Stonington Opera House, Keith A. Thompson, Actor's Shakespeare Project, 7 Stages, Variety Playhouse (Atlanta), Berklee Performance Center, Peter Bingham, Theater At Monmouth, Pilobolus, Kimmel Center for the Arts, David Dorfman, Big Ears Festival, Boston Playwright's Theater, Ishmael Houston-Jones, Portland Stage Company, Harris Theater for 音乐 & Dance (Chicago), Boston Center for the Arts, Orpheum Theatre/PhoenixStages, Fitzgerald Theater (St.Paul), Naples Philharmonic Center, 舞蹈 Chicago, Seattle Theatre Group/Moore Theatre, Primavera Sound Barcelona; the United Kingdom's Brighton Festival, Brighton Dome, Barbican Centre, Edinburgh Festival Fringe, Edinburgh International Festival, Sadler Wells' (West End), Colston Hall (Bristol), Philharmonic Hall (Liverpool); Ireland's National Concert Hall, Italy's Ravenna Teatro and Colombia's Festival Imberoamericano de Teatro de Bogotá.  
 
For music performance Mark has lit the likes of Radiohead, George Clinton & P-Funk, Taylor Swift, Anais Mitchell, Belly, Rage Against The Machine, & Babatunde Olatunji.  
 
Both of O'Maley's degrees are self-designed: a BA in “Lighting Design for Art, 建筑, & Performance” is from the University Without Walls program at the University of Massachusetts Amherst, and an MFA in Interdisciplinary Arts from Goddard College. In addition to 15 years as a guest artist at Concord Academy in Massachusetts, Mark has served as an Assistant Professor at Mason Gross School of the Arts at Rutgers University, and Franklin Pierce University in New Hampshire; and he has served as the faculty Director of Dance Production at the University of Colorado Boulder and Production Manager for the Vermont Governor's Institute on the Arts at Castleton University. Mark has presented his research at the Society of Dance History Scholars & American College 舞蹈 Association conferences. He was the 在灯光和舞蹈生产技术指导 at Bennington for the Spring 2018 and Fall 2018 terms.